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There is a reason why the blood depicted in “The Passion” is so “controversial.” According to the Gospels of Matthew, Mark, Luke and John (the main eyewitness accounts we have to the crucifixion and the inspiration for Gibson’s script), the blood of Jesus Christ was shed for the atonement of sin – the individual sin of us all – and that is what the media elites cannot stand about this film. As long as cinematic depictions of Jesus are restricted to images of a peaceful teacher standing on a hillside preaching the Sermon on the Mount, the story is no threat to their secular worldview. And as long as the story of his death is a sanitized version of the truth, wherein an innocent man utters a few words and then falls asleep on the cross, like some sort of first century lethal injection, then there is no outrage.
But when the public is allowed to see the full measure of God’s wrath poured out upon His own Son as the price to redeem fallen humanity, the story becomes “controversial.” At that point, the notion that human beings are basically good is threatened, as is all the other secular nonsense about man’s autonomy.